Do you know who is in these photographs?

UniNewcastle A5050-072 small

Many libraries and universities in Australia and elsewhere hold the collections of missionaries, researchers and other travellers to the Pacific Islands. This photograph of a gathering in Lambasa was taken by Archdeacon A.N. Williamson of the Anglican Diocese of Newcastle during his travels to Fiji some time between 1900 and 1930. He took many other photographs, some depicting individuals, such as this one:

UniNewcastle A5050-138 small

Archdeacon Williamson’s collection is held by the University of Newcastle and has been shared on Flickr and on Trove. Have a look through them and see if there are any people or places that you recognise, and if there are, the University would love to hear from you!

Fixing old photographs

Old family photos are the pot of gold at the end of the rainbow for family historians, but often when you find them they have been damaged over the years. I have been practising my photo-editing skills to overcome this problem.

I have used Paintshop Pro for years. I know it’s not the industry standard; when I was deciding between it and the similarly priced Photoshop Elements (the cut-price version of Adobe Photoshop, which is very expensive) I decided that Photoshop Elements was going to take too long to learn and I just didn’t have time.

That was years ago, and Photoshop Elements has come a long way. I have continued to upgrade Paintshop Pro until this last one, and I still like it for some things like lightening up the photos I’ve taken of archival documents. Last year I was persuaded to buy Photoshop Elements for fixing scratches in photos because it does it so well and so easily. They have really tried to make Elements easier for novices to use since my first trial all those years ago.

This is one I worked on the other night for a client using Photoshop Elements.

Unedited photo

Here is the photo after I had a go at it. The brickwork was particularly tricky!

Edited photo

I spent about an hour on this on my laptop while watching TV. When I got to the bottom left corner I just decided that there was too much woodwork anyway and cropped the bottom off. There’s still more I could do. I was a bit nervous about his eye but I think it works.

Photoshop Elements and Paintshop Pro are about $130, depending on where you live; less for an upgrade. Paintshop Pro has most of the same tools as Photoshop Elements but Elements has a very cool brush  that lets you paint along a scratch and it takes the image on either side and fills it in for you. It’s like magic!

Online software

I attended a Dear Myrtle webinar two years ago on free online photo editing software, and was introduced to PicMonkey. It is fully-featured photo editing software that runs online. You can start editing without even signing up, upload (or drag) the photo you want to edit, and the resulting photo is stored on your computer, not on the website. And it’s free! I was very impressed.

Have a look at PicMonkey. Save a copy of your photo, upload the copy, and see what you can do. You can always undo what you’ve done, or rub it out with the eraser, so don’t be afraid to experiment. And you have your original stored safely because you made a copy to edit. Always make a copy before editing.

I highly recommend Myrtle’s webinar for a demonstration of how easy it is if you’ve never played with photo editing before. She recorded it so it should still be available.

This post was originally published on my old blog Genealogy in NSW in September 2012. To update – I no longer use Paintshop Pro, and even though I now have access to the full Photoshop program I still use my old copy of Photoshop Elements 10.

Restoring old photographs

Old family photos are the pot of gold at the end of the rainbow for family historians, but often when you find them they have been damaged over the years. I have been practising my photo-editing skills to overcome this problem.

I have used Paintshop Pro for years. I know it’s not the industry standard; when I was deciding between it and the similarly priced Photoshop Elements (the cut-price version of Adobe Photoshop, which is very expensive) I decided that Photoshop Elements was going to take too long to learn and I just didn’t have time.

That was years ago, and Photoshop Elements has come a long way. I have continued to upgrade Paintshop Pro until this last one, and I still like it for some things like lightening up the photos I’ve taken of archival documents. Last year I was persuaded to buy Photoshop Elements for fixing scratches in photos because it does it so well and so easily. They have really tried to make Elements easier for novices to use since my first trial all those years ago.

This is one I worked on the other night for a client using Photoshop Elements. The brickwork was particularly tricky!

Unedited photo

 

Here is the photo after I had a go at it:

Edited photo

I spent about an hour on this on my laptop while watching TV. When I got to the bottom left corner I just decided that there was too much woodwork anyway and cropped the bottom off. There’s still more I could do. I was a bit nervous about his eye but I think it works.

Photoshop Elements and Paintshop Pro are about $100, depending on where you live; less for an upgrade. Paintshop Pro has most of the same tools as Photoshop Elements but Elements has a very cool brush  that lets you paint along a scratch and it takes the image on either side and fills it in for you. It’s like magic!

Online software

Today I attended a Dear Myrtle webinar on free online photo editing software, and was introduced to PicMonkey. It is fully-featured photo editing software that runs online. You can start editing without even signing up, upload (or drag) the photo you want to edit, and the resulting photo is stored on your computer, not on the website. And it’s free! I was very impressed.

Have a look at PicMonkey. Save a copy of your photo, upload the copy, and see what you can do. You can always undo what you’ve done, or rub it out with the eraser, so don’t be afraid to experiment. And you have your original stored safely because you made a copy to edit. Always make a copy before editing.

I highly recommend Myrtle’s webinar for a demonstration of how easy it is if you’ve never played with photo editing before. She recorded it so it should become available soon.

Picture Australia

Fiji NAtives SLV b49524

State Library of Victoria ‘Fiji Natives’ 1868, SLV accession no. IMP09/11/68/168

Picture Australia is the National Library of Australia website devoted to pictures, also available through Trove, the National Library of Australia’s umbrella site for searching books, journals, newspapers, maps, pictures, diaries and letters, and much more.

Pictures are contributed from all over the country; from libraries, archives, and even from individuals.

If you search for ‘Fiji’ all sorts of pictures are listed, from holiday photographs  and travel posters  to early photographs of people and places, and engravings such as this one on the left. Many are available to view online.

Here is the link to a hand-coloured lithograph depicting the “dreadful situation of Captain Dillon and two other survivors” in the massacre in 1813 at which Charlie Savage lost his life.

Here is a link to another hand-coloured lithograph by a Frenchman, Jacques Arago (1790-1855), showing “Kandabou”, which I am guess is Kandavu, with the French ship (presumably) and a Fijian canoe in the foreground.

Here is a link to an 1846 French lithograph of an interior in Levuka.

Trove is the umbrella site for searching books, journals, newspapers, maps, pictures, diaries and letters, and much more. It incorporates results from Picture Australia and many other sources, and is a great place to start your search for pictures.

Trove

 

As with anything you find on the internet you must be aware of copyright restrictions before you publish it yourself, and you must cite the source.

Charles Johnson, prisoner and father

When the grandmother of one of my clients was born there was no father listed on the birth certificate. When she married she stated her father to be a Charles Johnson, but there was no other evidence of this, or indeed of any link between Charles and and the mother Isabella Staader.

At least there was a name to go on, and the place where the child was born. A search of the digitised newspapers on Trove had given a short account of a trial in which Charles was convicted in January 1887 of assault and sentenced to 12 months hard labour at Tamworth Gaol. The woman he assaulted was Isabella Staader.

SMH 18970201 p5 Johnson and Staader

Further searches revealed more information. The NSW Police Gazettes reported his arrest (without bail), sentence and release. He is the Return of Prisoners, showing his sentence:

Charles is about half way down. He was charged with “Wounding with intent to do grievous bodily harm” on Isabella Staader. He was tried at Tamworth Quarter Sessions on 29th January 1897, and sentenced to 12 months’ hard labour at  Tamworth Gaol.

Later in the same year he appears in a list of Prisoners Discharged to Freedom. The printing is even smaller than in the page above so I haven’t posted an image. It describes not only his crime, sentence and date and place of trial, but some additional information – his native place was Tamworth, NSW; year of birth was 1862; height 5 feet 5 inches; fresh complexion; brown hair and eyes; regular nose, mouth and chin; and this was his first conviction.

The Index to Gaol Photographs on the State Records NSW website does not include those taken at Tamworth Gaol, but there is a full index at the Western Sydney Records Centre. There he was: Charles Johnston in Tamworth Gaol. The presence or absence of the T in the name was a minor inconvenience – if they didn’t always spell names the same way there is no reason for us to be pedantic about it.

SRNSW Gaol Photograph 1897 Charles Johnston

The page is wrinkled where the photographs have been stuck on.  We now know quite a lot more about Charles Johnson, including some more accurate information, as I suspect the Description Book is more accurate than the Police Gazette. He had light brown hair and blue eyes, with a cut under his left eye. He weighed 130 pounds. He was Church of England and he could read and write.

We may not know exactly what was going on between Charles and Isabella, but we now have an idea of when it might have come to an end. Perhaps she took him back when he got out of gaol; certainly his child knew that he was her father.

Often the father of an illegitimate child can never be found. Sadly, if there was domestic violence, it may be possible to find out quite a bit about him.

The full citation for the page from the Description Book is :

State Records NSW: Department of Corrective Services, ‘Photograph Description Book, Tamworth Gaol, 1894-1929’, [3/5997]; item 49 for Charles Johnson.

The square brackets seem to interfere with the formatting in the picture caption.